Planning to Improve the Planet - Part Seven

How can you be certain you are effectively addressing immorality?

 

• Effectively Addressing Immorality - Part One
• Effectively Addressing Immorality - Part Two
• Effectively Addressing Immorality - Part Three

How can you be certain you are investing in certainty appropriately?

Perhaps you have been attempting to do so by investing in simple living.

How can you be certain you are investing in purposeful reviews adequately reasonably?

Perhaps you rarely review your plans, or even your sense of purpose.

When do you believe appropriate bluntness must most urgently be expressed, and by whom?

Perhaps you express bluntness with suitable civility and urgency when people ignore certainties.

You may or may not feel certain about the enlightened re-enchantment of the world.

How will such a re-enchantment improve the world, in your view, and how will it occur?

Will it involve an invocation?

Will it involve a benediction?

Will it involve a little serenade?

Will it involve many mysteries and histories?

Will it acknowledge that people are dyeing?

Will it involve quality investments as enchantments?

An absence of patronage, towards any service or business or product or idea or community organisation, often relates to matters of uncertainty.  This applies even when beliefs about certainty may be associated with gullibility.

How do you think about certainty and uncertainty in relation to blessings and curses? 

How certain are you about dressing appropriately when addressing weather-related problems?

What do you know about certainty in relation to investing in enlightened productivity?

How have you ascertained the flax of the matter?

What do you know about linseed oil?

How certain are you about knowing the truth of any particular subject?

How certain are you in the possibility of investing in better governments with adequate success, and from whose point of view? 

What is your current approach to understanding the impossible, and why?

How certain are you about holding powerful people properly to account?

How do you tell the difference between fruitful editing and frightful editing?

How do you usually think about editing in relation to motivation and intention and hope?

How certain are you that you know how to practice locus focus effectively?

Which questions do you tend to ask yourself quite regularly in relation to your editorial activities, and why? 

What have you been learning about objectively powerful ways to support good in the world, and how, and where, and from which cultural perspectives, and why? 

How do you compare editorial orchards in one climate with those elsewhere?

What is your acquaintance with the art and science of suitable pruning in various circumstances? 

What do you know for certain about hot air, hopeful heirs and horrible hotels?

What do you know for certain about protecting health properly and helping healing adequately? 

How do your editorial practices reflect your empathy, and how do you know?

How do your editorial practices reflect necessary humour, appropriate lightness and suitable enlightenment? 

Have you ever participated in an editing expedition, whether to a virtual orchard or a real orchard or a real desert or a real desert island?

Whether you have or not, who is investing in you in an editorial sort of way, and why?

 

• Exhibiting Clarity - Part One
• Exhibiting Clarity - Part Two

 

Where have you been investing in fruitful editing with appropriate clarity, and for what purpose?

Where have you been learning about the magic of serendipitous reasonableness?

Perhaps you have been doing so with a guidebook as well as this grimoire. 

Do you often look for certainty in and/or through books, whether you locate them online or elsewhere?

If so, how do you ascertain the truth?

The truth is actually to be found in and through the experience of community, even though most members of most communities are not aware of what is true and what is not.

How do you know your moral principles are adequately supported by truth?

When you are involved in the distribution of images, ideas, opinions and documents, how does that process relate to your moral principles?

Which intellectual principles do you follow when attempting to ascertain the truth, and how did you acquire those principles?

What do you know about community-based workplaces and workshops in relation to simple living, intelligent frugality, freedom, security, certainty, exploration and suitable civility?

Tomorrow will be the last day of spring in Adelaide, and in the Adelaidezone, at least according to ongoing, European-inspired expectations.

What are your expectations of seasons, and where, and why? 

You may associate springtime with new life, yet what are your associations with summer, and winter, and autumn, and why?

You may be familiar with a famous allegory of spring.

What do you know about orange trees, orange blossoms and orange fruit?

What is your acquaintance with classical mythology and the history of meteorology? 

What do you know about Venus Anadyomene?

What is your acquaintance with Simonetta Vespucci?

Perhaps you know of her through one image or another or another or another.

What is your acquaintance with her husband's relation, Amerigo Vespucci?

How do you assess images, including those in your imagination?

How do you assess books, including picture books?

How do you assess letters, including ones of dubious authenticity?

How do you interpret the Age of Discovery, and from whose point of view? 

How do you interpret globalisation, and from whose point of view?

What do you think you know about providing certainty through civility?

What do you know about the Southern Cross?

What do you know about the Codex Azcatitlan?

What do you know about Axayacatl and the Aztec sun stone?

What do you know about fertility deities in various cultures, in various parts of the world?

What do you know about Kouklia in Cyprus, the Petra tou Romiou and the Sanctuary of Aphrodite Paphia?

What do you know about the Aphrodite and the Horae and the Anemoi?

What is your acquaintance with the ancient Aphrodisia festival?

How do you distinguish between the celebratory aspects of life and the tragic aspects of life?

Simonetta Vespucci died in 1476 at the age of twenty-two.  Her death has been attributed to disease, unlike the death of Procris.

How do you compare one enigmatic painting with another?

What do you know about bitter oranges, bergamot oranges and the apples of the Hesperides?

How do you compare beauty with danger? 

Perhaps you understanding of history mostly takes you from the Glorious Revolution to the Climatological Revolution. 

From which cultural perspective, and horticultural perspective, do you assess history, and mythology, and the future?

You briefly have the opportunity to examine this grimoire.

Perhaps you would rather compare one painting of Venus and Mars with another.

How do you compare long-term opportunities with short-term ones?

Perhaps you are interested in investing in useful inventions associated with the Adelaidezone.  There are plenty from which to choose, once you are eligible to do so.

How do you define the usefulness or uselessness of any invention?

How do you know when a discovery or invention or experience is likely to prove dangerous?

How do you know when the cause of a danger is not yet understood well enough?

How do you know when a danger is well-known yet ignored?

How do you know when you have identified the cause of a danger, or tragedy, or any other sort of problem?

Where and how have you discovered the best ways to prevent dangers, tragedies and other problems? 

If you are already one of the patrons of anything in Frugality Cottage, or elsewhere in the Adelaidezone Digital Arts Quarter, what have been the benefits to you of that experience, and how? 

 

How did you prove to the patronage assessors that you are not a crony capitalist or a plutocrat of any sort?

How do you usually think about Australia and its past?

How do you usually think about the history of any part of the world?

Where is well-informed kindness in Adelaide, and elsewhere in Australia, in your view?

Where is well-informed investing happening, anywhere in the world, and how do you know?

How do you compare mythological stories of one sort with another?

Where have you most recently been pondering possibilities, and why?

What do you know about the Fasti of Ovid?

How do you know when inaccurate translations, various misprints, insensitive editing and other misunderstandings have shaped subsequent opinions, and behaviours?

What informs your awareness of the truth?

Where have you been learning about climate justice, and how? 

What have you been learning through Australian Aboriginal religion and mythology? 

What have you been learning through investing with Adelaide?

What have you been learning through On the Nature of Things by Lucretius?

What do you know about The Forest Fire by Piero di Cosimo?

What do you know about On the Genealogy of the Gods of the Gentiles by Giovanni Boccaccio? 

What do you know about your own genealogy, and how do you know it?

How have you assessed the mythology associated with your family background and heritage?

What do you know about Chloris and Flora?

What do you know about the Sibylline Books, and how have you acquired that information?

Perhaps you are unaware that Twaklin owns the original versions of those books and keeps highly accurate copies in the Library of Enlightenment in Villa Twaklinilkawt, on the other side of the Old Adelaidezone Gateway.

You may or may not have the expertise with which to contribute to accurate reporting about Twaklin, or any other spirit being.

Who has been teaching you about efficacious incantations, and how do you know?