Understand the Sad

Romantic and chivalrous,

Denying the truth.

In love with a fantasy,

Unburdened by proof.

Longings too amorous.

Confused by the mystery.

In fear of the glamorous.


Was she a witch?

Was she a fairy child?

Was she deceptive?

Was she quite wild?

Was she even real?

Could she even feel?

What did she want?


The knight was confused.

His discipline failed him.

Sensations unexpected.

Enchanted by sin.

Unworthy of status.

His ego too bruised.

Why did she sing?

 

Fragment of the wonderful.

Image of the beautiful.

Fleeting and defeating.

Unattainable.  Leaving

Mind and body grieving.

Paradise lost.

What is the ongoing cost?

 

This is not a ballad

Or a ballet through time.

It is part of a grimoire,

For your mind to refine

Through a glimmer of

Literary alchemy.

Understand the sad.

 

Life and love become prosaic

With routines of duty.

Order and disorder are

Both devoid of beauty.

Both are tragic.

News is not poetic.

Sleep provides certainty.


Patterned words,

A dying Keats,

The mind of youth,

Fate defeats.

Mortal males

Long for muses,

But who chooses?

 

Immortal females,

Trapped in art,

Record the minds

Of long dead men.

All are history.

Inanimate products of culture

Have no feelings.


Military men slaughter 

In the name of glory.

Refugees seek hope

In a medieval story.

Sad songs bring comfort.

History repeats again,

Like a chorus.

 

The sad is always present.

Disappointments and lost hopes

Are suppressed through

Action and distraction

But never disappear.

Fairies dance on dreams.

Witches enchant moonbeams.

 

The enamoured knight in armour,

Is cocooned in his metal castle.

His tamed horse is his slave.

The fairy girl is free.

She sings of misguided duty

And laughs at military folly

To protect her virginity.

 

Society is sadness.

Nature is harshness.

Re-purpose the verses.

Undo the curses

With science.

The fairy hums.

Her wings are

In your mind.

Listen as they

Beat your heart.


The merciful is magical.

Sadness disappears with

Well-informed kindness.

Hopes transform and

Societies reform if you

Love the world

The fairy loves.

 

Dreams of her beating wings

Will give your life real meaning.

Dedicate yourself to

Well-informed kindness,

The true nobility.

Defeat the real enemy,

The arrogance of violence.


The winds reshape the world,

Reshaping minds along the way.

Emboldened by fossil fuels,

Drunken climates jostle crowds.

Herbicides killed the meadow.

Coal-fired economies grow

But at what cost?

 

Since the 1950s,

The fairy girl of 1900 

Has been an angry siren.

Drunken climates

Make her afraid.

No knight protects her.

Her voice is hoarse.

 

Forests long gone

For firewood.

Meadows long gone

For livestock.

Villages long gone

For migration.

Mines long gone

For inherited wealth.

Factories long gone

For fashion and pollution.

 

Ophelia was perfectly sane.

Distress and confusion were

Mainly to blame for her

Passion for Hamlet and flowers.

His illness was cruel to her.

His madness was her burden.

She was offered only platitudes.

 

The cruel lady perceived

By the unwell Keats was

Only a girl of eighteen.

A neighbour, barely known,

The muse he needed,

While he grieved for

His dead, young brother.

 

Infatuation despises reality.

It clings to old lyrics.

It wanders in imagined forests,

Attempting to escape the sad.

It pauses by dark waters,

Wondering whether to

Take the plunge.

 

Grasp this grimoire.

Cling to life.

Understand the sad.

Focus on the wonderful.

Keep breathing.

The wight is a ghost,

Like the White Lady.

 

Do you fear meteorology

Or the superstitions of sailors

Or coal-fueled, drunken climates?

Are you too sad to answer

Important questions?

Do you ever sing sad songs?

Are you seeking happiness?

 

Papyrus is an African sedge,

Growing on the Nile's edge

And trapping histories

In museum and libraries,

With ancient herbal knowledge.

Time is a college

Of ethereal friends.

 

Northern birds have migrated.

The mammals have hibernated.

Face fate.  Face facts.

Go virtually to Glasgow.

Oil is killing California

Coal is killing China.

Gas is killing Europe.

 

The world is being killed by greed.

Sadness is therefore generous.

The rich and powerful have a need

To hide behind the glamorous. 

Accountants shape economies

With monetary madness

Ruining lives, with no apologies.


Death is an unpleasant fate,

Yet Hesiod opened the gate

With imaginings of Pandora.

Who deserves the blame

For triumphing over Death

With Fame, by opening

The greed game?


Increasing wealth, deceased estates

And saddened chasms in societies,

Are shaped by the uncaring Fates.

The love of money causes death to all.

"Take pity on the rich", says the wise witch,

 "Reuse the pithos as a coffin for greed.

Let hopeful expectation be freed."


But where is the fairy's child,

The pretty changeling,

With eyes so wild?

Beware when she sings.

Despair is destructive.

Her sadness is seductive.

Remember her beating wings.


When a ballad is sad,

Do you have a catharsis

Or merely a curious feeling?

Do you unlock the truth

Or a box full of dangers,

Or a book of ancient 

Mythologies?

 

Where is the fairy passage

From a grimoire to a grotto?

Do you have the necessary knowledge,

The secret words and special motto?

Are you familiar with poetic language?

Will you be virtually in Glasgow

To dance and sing on the world stage?

 


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